Before December 2019 ends, I wanted to take a moment to reflect on one of the most significant pop culture artifacts of the year. This is the month, after all, in which one of the co-creators of the iconic series Lost gave us a critically acclaimed and universally praised ninth episode of a series that breathed new life into a franchise that had not been this beloved since the mid-1980s. By shifting the focus away from the historically white male heroes of the original and toward a story centering women and people of color, the creators had to also confront the toxic — and often racist — fan culture that had laid claim to the property for over thirty years. Plus, they were able to do all of this without the consent of the property’s original creator.
Of course, I’m talking about Watchmen on HBO.
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Few directors are franchises unto themselves. But the way Marvel Studios owns the first weekend in May and Star Wars lays claim to the middle of December, Christopher Nolan is synonymous with the mid-July blockbuster. In 2020, that will be the case once again when Warner Bros. releases Tenet.
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For fans of Star Wars, today will be a day long remembered.
The arrival of Disney+, the Mouse House’s foray into the Streaming Wars, is finally here! And with it comes the first live action Star Wars television show to hold people over for the month between now and Rise of Skywalker in December. Luckily, that show is The Mandalorian, and it’s one of the best incarnations of Star Wars mythology to ever be put to film.
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Finally, after weeks of anticipation — and one half of terrible football (unless you were a New England Patriots fan) — the world finally got to see the final trailer for Star Wars: The Rise of Skywalker, and ultimately, the final trailer of the Skywalker Saga. And it did not disappoint!
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It goes without saying that we are very excited for this winter’s Crisis on Infinite Earths crossover on The CW. On the most recent edition of DC TV Classics, I even suggested that Warner Bros. should consider cutting together all five episodes of the crossover into a feature-length format and release a proper Crisis movie on home video.
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